The Reggae beat has been through many stages since its  formulation in Jamaica in the early 1960s. It began with the Ska beat  which derives from a strong influence of rhythm & blues, and then  Rocksteady, before reaching it's worldwide appeal as Reggae during the  Seventies to early Eighties and producing such artist's as:
Peter  Tosh, Dennis Brown, Junior Delgado, Burning Spear, Third World, Pat  Kelly, Matumbi, Black Uhuru, Black Roots, Big Youth, The Mighty  Diamonds, One Blood, Junior English, Bunny Wailer, Prince Lincoln ,  Pablo Gad, Aswad, Steel Pulse, Carol Thompson, Louisa Marks, Janet Kay,  Sister Love, and many more big name Reggae performers. We must remember  that Bob Marley was the fore runner for all the above mentioned  artist's.
The 12" 45rpm vinyl record was first introduced during  this period of reggae history, and toasting (an early form of rapping)  was a also a seventies invention. It was started by Sound System DJs at  dances to further entertain their audiences and became so popular that  many artist's began adding toasting to their records to make their tunes  unique.
The Reggae beat also became faster and more sophisticated  musically, to keep up with the new sound coming in from the USA called  Funk which used the aid of the new electronic musical instruments and  included the famous syndrome used on many a tune.
Meanwhile  artist's and musicians living in the UK had a hard time establishing a  foot hold in the Reggae market due to Jamaica's dominance. Up to now  Reggae did not have a romantic side, and it was felt that the lovers  amongst us should be catered for, so Lover's rock was born right here in  the U.K, showing a softer side to this wonderful music. Lovers rock  also covered many of the popular pop songs in the UK charts and made  cover versions almost the norm.
Even the vinyl records suddenly  changed colour from their usual black, to green, white, yellow, blue,  multi and many others in between.
Roots music, which had a heavy  Reggae bass line and lyrics to match, really captured the mood of what  life is like living in the ghetto. It also became the fore runner for  another rasta reggae style, called Steppers, an almost dance beat that you step to.  Last but not least Rockers derives mainly from taking the old Rock  Steady rhythms and revamping them with a new bass line and beat. Think  of it as early remixing of a slow tune into disco dance tune which is  used today throughout the music industry.
You can find these tunes for sale on this site.
This  period was also a very enterprising time for creating your own records  labels although most of them are no longer around, but this website has  many exhibits of these labels, plus many more to come, they are a rarity  in their own right.

 
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